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One very silly idea I’ve had about visiting Rhode Island is that I wanted to drive from one state border to the other, and time the trip, to see what it felt like to drive all the way across the state in one shot. I had asked Will if it could be done in less than an hour, and he said it probably could.
He chose a diagonal route that would make sure we gave Rhode Island the benefit of the doubt. I started the stopwatch on my phone, and took screenshots of the route too.
Beginning of journey. The blue dot marks the location of my phone.
Middle of the journey. We are rapidly moving through Rhode Island.
Viola! We cross the Massachusetts border in less than an hour.
We crossed the state in less than 40 minutes! That is so funny to me, a longtime resident of the Western United States, where you can drive for hours and hours and still be inside the same state. It’s a 2 1/2 hour drive for me to go visit Tara at school, and we both live in Oregon. Last Fall I went to see the Shakespeare Festival in Ashland, Oregon, which is 5 1/2 hours away.
Beginning stopwatch
Ending stopwatch.
Our other explorations that day were more along the lines of what we had been doing already: finding points of interest, historical sites, lighthouses, and monuments.
I was interested in The Towers, a massive gate of sorts, over a road in Narragansett. It was completed in 1886 as a design element to complement a new casino. Since then the casino burned down, but The Towers was saved. It is now used as an event space. Will and I went for a closer look, and found all the doors open. So, naturally we walked right in and found the place being prepared for a wedding reception.
The Towers in Narragansett, Rhode Island
The seashore is to the left. The Casino was originally to the right.
This is inside the arched part over the road. A lovely setting, and views of the ocean, for a wedding reception.
This old clock is in The Towers. It makes me think of Alice In Wonderland.
We visited the Point Judith Lighthouse next. It is our sixth lighthouse on this vacation so far. Though the first lighthouse was erected at Point Judith in 1810, a storm with an 11-foot surge rushed in and wiped out the tower and the keeper’s home in 1815, although miraculously the lighthouse keeper survived. The third and current lighthouse was completed in 1857.
This active Coast Guard site keeps the lighthouse behind a fence.
View over the Atlantic from the parking area.
Point Judith lighthouse is painted brown at the top, and white at the bottom, for a daymarker. The light has a 15-second pattern which is: 5s on, 2s off, 2s on, 2s off, 2s on, 2s off.
We explored Watch Hill next, the southwesternmost point of the state of Rhode Island. In truth, after Watch Hill is when we undertook the Cross The State Journey I mentioned at the top. You can see how that makes sense by looking at the first map. In Watch Hill we found more monuments and another seafaring community taking pride in its mariner history. One monument caught my attention because it is of an Indian. It contains no explanation and no context at the monument, so I was compelled to look it up and investigate.
An Indian monument in Watch Hill, Rhode Island.
On the back of the boulder is a plaque reading “In memory of Clement Acton Griscom.” And the inscription of the artist Enid Yandell can be found in the bronze. With these clues I looked it up and have some questions answered, but not all. The image is of Chief Ninigret of the Niantic tribe indigenous to the Rhode Island area (the Narragansetts), holding a blackfish in each hand. The Chief was a clever strategist and unapologetic. He is said to have given his lands to the colonists (aw, what a kind thoughtful man, to just hand over his homeland as a gift to the invaders), but under whatever circumstances that led to this “gift,” it saved his people from the same levels of decimation as other nearby tribes. The Puritans then emboldened, asked him for permission to try to convert his people to Christianity, and Ninigret told them, “Go make the English good first.” OH, snap! The monument was erected in 1916 by Mr. Griscom’s widow in memory of the shipping magnate. Originally it was part of a horse-watering trough, with water from the fishes’ mouths filling the trough.
I love so many things about this statue. It honors an Indian relevant to those exact lands, the artist was a woman, and the piece of art had a practical purpose. The one thing I could not find anywhere is why Frances Canby Biddle Griscom commissioned the piece, and what it has to do with her husband. I’m tempted to imagine that the widow was free to spend her money however she wished after her wealthy husband’s death, and she was making a statement about things she was passionate about. Maybe Mr. Griscom loved Indians and women and horses, too. But it’s more dramatic to think of Frances getting to stretch her wings as an independent woman without having to ask a man’s permission.
We then made our cross-the-state journey mentioned at the top, and returned to Providence for the evening. It was going to be the first night of WaterFire for the year. I had never heard of it, but was eager to find out what it was all about.
We first walked along the parks and walks along the Providence River.
As darkness collected, we found a comfortable place to sit and watched the crowds increase with the night.
In the center of town, floating braziers are anchored all around the Woonasquatucket River, right before it converges with the Moshassuck River. Aren’t those names great?! When we arrived, the braziers were already loaded with wood. When it got dark, mood-creating music from around the world boomed through the crowd. It grew chillier and darker and finally black boats filled with people dressed all in black came silently drifting through. People from the crowd came down to the waterfront on our right and lit torches and stood waiting. The boats passed in front of the holders of the fire, and had their own torches lit. One boat had a man twirling fire poi. He stood confidently in black and spun the fire balls around himself, with flames reflecting off his bald head. It was so dramatic.
Holders of the fire prepare to light the torches held by people in boats.
Fire poi!!
Waterfire in Providence is a very big deal. The event bills itself as an art installation under an arts promotion and awareness organization, with the ceremony I saw as its centerpiece. As the summer temperatures warm the nights, it becomes more popular and more braziers are added, lengthening the display across more of the city’s downtown rivers. There are 100 braziers in the middle of the season. It seems that almost as many local people get excited about volunteering to help as watching it, and in that way it has been an ingenious way to rebuild the life of downtown Providence, and bring in millions of tourists.
The chill of the night lessened a bit once the fires blazed in earnest. From the shore I could actually feel their heat. The crowd was quiet; either silent or talking in low tones. We listened to the beautiful music and watched the reflections of the fire. Some small boats came through with people who had clearly purchased a ride for 20 minutes or so, and sat back in each others’ arms with glasses of wine while they were propelled between flaming braziers by Venitian gondolier-types. It was enough to sit and watch for hours.
When the braziers were really going, I could feel the heat onshore.
Reflections of lights on water is enough to mesmerize me. Here you can see the fire poi again.
The central location downtown was beautifully lit not only by the fire, but also by the lights in the buildings.
Kimberly, me, Will, Romain
Paul Harvey (radio host from 1952-2008) used to have this radio bit titled “The Rest of the Story.” I am reminded of that title when I think of how some people and places in my life have a story for me that lasts decades, and I expect future decades of story to be added. There is an added richness to my experience when I consider not only today, but also the rest of the story.
My trip to Rhode Island was a great opportunity to meet up with old friends. States are tiny on the northeast coast, so visiting state to state is like driving to another town.
Kim, Will, and I used to work together at the National Weather Service in Burlington, Vermont in 1995-1998. They knew me when I was pregnant with Tara, and got to meet baby Tara in the first weeks of their life. Tara and I went to Kimberly’s wedding. Kim still works for the National Weather Service in Massachusetts. Will still forecasts for Vermont, though he lives in Rhode Island. Romain is a Catholic priest, and was a classmate at Brandeis University and became one of my best friends at school in 2005-07. Tara and I last saw Romain when he gave us a tour of the Harvard College campus back when Tara was deciding what college to attend. These friends weave through my life.
Romain’s birthday gift.
The Superman Building
We met for lunch at a place in between all three of us, in Taunton, MA. We chatted for two and a half hours, but finally Kim had to go to work. It was so easy to get comfortable with them all despite not having seen any of them for years, and I was happy that Will and Kim and Romain easily enjoyed each others’ company though meeting for the first time. Before Romain left he gave me a stunning birthday gift of a glass dragon for the Dragon Lady.
The next morning I had to leave Rhode Island. It dawned that spectacular blue that only happens in New England winter skies, and I had Will hold the car while I finally got a great shot of the Superman Building, Providence’s tallest skyscraper. Will told me that locals call it that because it reminds them of the Daily Planet building in Superman comics. You know, the newspaper where Clark Kent worked.
Being a nerdy girl myself, the idea of a comic book connection was intriguing and I looked up images of the Daily Planet. I think the residents of Providence are generous in their memories, because the building really doesn’t look anything like what I found online. However!! I’m not a connoisseur of comics, particularly not DC, so there might have been a series or an artist that drew the building more like the Providence building. You be the judge.
Now THIS image of the Daily Star building (from an early version of the comic in 1938 before the name was changed to Daily Planet), looks a lot like the Providence building.
An image of the Daily Planet building from 1943.
There is no denying that it’s a stunning building. It’s gorgeous and I love it. The 26-story building opened in 1928. I was dismayed to find out that it has been empty for over 5 years and has such a low real estate value placed on it that there are calls for it to be demolished. There have been a couple of plans to put a new tenant in there, but a lot of rennovation work is required, and the maintenance on that place would be enormous, so the Mayor has not been able to find a new company to occupy the building. Thank goodness someone is trying to save Superman in the meantime.
Superman Building and the Biltmore – two historic and iconic Providence buildings.
Will and me inside the beautiful Biltmore Hotel, our winter weather gear heaped on a chair.
Elevator in Biltmore says “Built in 1978. It’s a Biltmore Classic. Use for Time Travel only.”
I’ve mentioned the Biltmore Hotel in earlier posts and haven’t talked much more about it because I managed to forget to take photos inside. We were usually on our way to do something fun and I didn’t want to stop for photos in the hotel, or on our way back from something fun and I was too tired. I managed to get two pictures that help you get a sense of how wonderful it is inside. At the top of the staircase is a neat old glass elevator that is no longer in use by guests, but Will recalls from his younger days that it was fun to try and sneak onto the elevator for a ride and a view of the city.
Providence downtown, the morning that I left.
Then we went to the airport and I remembered to thank the TSA personnel for working with no pay because of the government shut down. Providence has a small airport like Portland’s, and checking in was a breeze. Soon I was in my seat. I always want a window seat. I was in my first airplane at about age 8 and I’ve been flying commercial since age 16, and yet I still get a thrill when I’m in the air. With a background in meteorology, I marvel at the up-close look at clouds. With an unquenchable yearning for new sights, I spend all the time I can with my face pressed up against the safety plexiglass, peering through the frost patterns, in speechless awe at the planet below.
My flight at the beginning of the trip from Portland to Newark. We took off in darkness, then flew into the sunrise. It was so wonderful. See the star? Although, it’s so big and bright it might be a planet.
Bumping along the updrafts above the clouds.
Orange morning illuminates snowy peaks.
The day I left, our tiny plane flew low from Providence to Newark, so it was easier to watch life on the ground.
On approach, I realized Newark must be close to a larger city.
Yep. “THE” larger city. I had fun looking down onto New York City as my plane landed.
After a long layover in Newark, we left for home in the dark. Goobye New England. I’ll be back!
Soldiers and Sailors Monument in front of Providence City Hall, with the Biltmore in red brick next to it.
With the fabulous Providence Biltmore as a home base, it made sense that one day’s exploration should be just out the front door. As it had been all week, it was very cold and windy. Despite wind chills in the teens, we bundled up and left the hotel lobby to start walking and see where our feet would take us. They took us to some wonderful sights.
Right next door is the Providence City Hall, a beautiful building on the outside, and simply gorgeous on the inside. It was built in the 1870s, and continues in use today as the City Hall. The five-story building is built of iron and brick, and at the time of construction employed some fascinating technology. There was a water-powered elevator that could carry 50 people, but is no longer in operation. Prior to electricity, a central control clock was used, wound up each morning by the janitor like a grandfather clock. The clock sent a signal to all the other clocks in the building. The City Messenger’s office was equipped with bells and speaking tubes that connected to all the other offices in the building. Remnants of these features are still visible today.
Stairs from the main floor up into the heart of the building.
Beautiful at every level.
Clock on the fifth floor.
Old elevators still gorgeous, but no longer in use.
The Hiker
We crossed the street to gaze at a few monuments. The first was the Soldiers and Sailors Monument, shown in the image at the top of this post. Dedicated in 1871, the 40-foot monument recognizes 1,727 Rhode Islanders that died during the Civil War. The figure at the top represents America, and the four smaller figures represent four branches of the military. The bronze reliefs are allegorical representations of War, Victory, Peace, and Freedom.
A short walk away is The Hiker, installed in 1911 to commemorate those who fought in Spain, the Philippines, and China from 1898-1902. It is a replica of the original The Hiker, installed at the University of Minnesota in 1906. The name comes from a term soldiers in both the Spanish–American War and the Philippine–American War gave themselves.
Providence has a lot of hills, and since we began in a valley, it was inevitable that we would eventually hit an incline. We began walking uphill and a lovely white church caught our attention. It is the oldest Baptist church in America, aptly named the First Baptist Church, and holds a central role in the founding of the state of Rhode Island.
Plaque on the church wall
The church was founded by Roger Williams in 1638. The present building was erected in 1774-5. Roger Williams was a Puritan who left England to escape religious and political persecution. He did not come to America in the first wave however, but a few years later in 1631, and brought non-conformist ideas of what the colonies should be all about. Williams was adamant about separation of church and state, and insisted that the local church totally repudiate its ties with the Church of England. He also declared it a “solemn public lie” that the King of England had the right to grant land to colonizers without first buying it from the Indians. The ideas challenged the legality of land uses at that time and stirred up political and religious unrest, and threatened to upset the fragile economy. All this had been set up before Williams even got there, and his loudly proclaimed contrary ideas were a major disruption.
By 1635 the local authorities had had enough and tried and convicted Williams. As punishment he was to be banished to England. Instead, Williams hiked through the snow from Salem to Narragansett Bay and lived on the hospitality of the Wampanoag Indians. The following spring he purchased a piece of land from the Indians, and with some friends from Salem, started a community. He named it Providence, after the providence God had shown him. His community was based entirely on religious freedom, welcoming all to come and worship in their own way. Williams became a Baptist and began the Baptist Church in Providence, and was its first pastor.
First Baptist Church in Providence. The oldest Baptist Church in the country.
Eye-catching buildings line the street beside the First Baptist Church. That colourful one in the center is the Providence Art Club.
Interior of the church. There is stained glass behind that wall, only viewable from the outside. Not sure what that’s all about. Will guessed it could have been to maintain the humility and simplicity espoused by Roger Williams, who never would have approved an extravagance like coloured glass in his lifetime.
In the early days, patrons would rent their box, and would have a say regarding who was allowed to sit in it.
At the back of the church on the balcony, is an enormous organ. I don’t know if it still works, but the sound must be outstanding! {photo by Will}
We left the church and started uphill once more, coming across Brown University, another institution woven into the fabric of Providence’s early days. Dr. James Manning had been dispatched from Philadelphia to oversee some reforms in the Baptist church in the area, to include starting a Baptist college. (Dr. Manning was pastor when the church in the photos above was built) Originally called Rhode Island College, Manning was its first President. When the school charter was approved in 1764 it was the 7th college in America. Now called Brown University, it remains a premier American University.
Clock tower on a cold Winter’s day at Brown University.
On the grounds of Brown University.
On the grounds of Brown University.
We stopped for lunch and I had Indian curry & Jasmine tea because isn’t that just the thing on a fiercely cold day? (This time I mean Asian Indian, not North American Indian. So confusing. Chris Columbus you goofball.) Then we walked uphill some more and I was excited when it began to snow! We came to a park very high up that Will calls “The other Roger Williams Park,” but it’s actually called Prospect Terrace Park. I didn’t get photos of it but there is a curious larger than life statue of Roger Williams looking out over the city. So we looked out over the city too:
The State House dominates the horizon here.
Downtown Providence
The State House looked so impressive from a distance that I really wanted to go there. Will double-checked with me about that, since it was so cold I could barely feel my face or hands. Like those early settlers here, I didn’t let a nasty winter day get me down. Onward ho! At the bottom of the hill we stopped in the beautiful train station to chat and get warm before continuing the long walk to the State House. As my reward for tenacity, the clouds parted and the sun began to shine. It wasn’t any warmer, but it was prettier.
A lovely New England neighborhood on a hill.
The Independent Man atop the State House
Gettysburg Gun with charge in the muzzle.
Sun came out in time to illuminate the Rhode Island State House
Atop the State House stands the Independent Man, deemed to represent the character of a Rhode Islander. The statue of a muscular man clad in a loincloth and carrying a spear is made of gold and bronze, and was melted down from a donated statue. Previously a statue of Simon Bolivar in Central Park that the city of New York considered an eyesore, the gift from Venezuela was sacrificed. The Independent Man was placed atop the cupola in 1899, and has survived lightning strikes and many many Rhode Island winter storms.
To get into the State House we had to have ID checked and pass through a metal detector. Once inside, I was doubly impressed by the grandeur here than I had been by City Hall. The foyer holds a Civil War gun that was last fired on the final day of the Battle of Gettysburg in 1863. The gun was struck by a Confederate shell, damaging the muzzle of the gun and killing two soldiers. An attempt was made to reload the gun. Try as they might, members of the Rhode Island Light Artillery could not force the charge into the gun. When another shell hit and blew a wheel off, they gave up. The gun was allowed to cool, sealing the charge in place.
The House of Representatives were going into session soon, and the foyer was packed with people: participants, students, tourists, and the media with their cameras and lights. Will and I ducked the crowd into a quiet hallway and found the original Charter for the state of Rhode Island!
The original charter from the King of England granting religious and political rights to the people of Rhode Island.
In the Royal Charter Museum, three pages that make up the original document are held. In the 1663 document, King Charles II allowed settlers in Rhode Island to govern their own colony and guaranteed their individual freedom of religion. It was the kind of action Roger Williams dreamed of, and was in fact the first time in history that a monarch had agreed to this level of religious freedom. The event is remarkable, and the documents themselves were extraordinary works of art with such elaborate calligraphy that I could not read them.
The first page with calligraphy and illustration.
Close up of the magnificent ink work.
We then wandered the halls of the majestic building. We had been warned by the docent in the gift shop that we would hear bells notifying Representatives to take their seat. She told us the bells would continue till the gavel was sounded. When the bell rang as predicted, it was very loud and sounded like the ring in a high school to notify students to head to their next class. Unlike high school bells, this one continued to ring.
I thought the children we call politicians only pulled their stunts in Washington, D.C. Oh no, their lack of discipline, lack of respect for their office, lack of concern for the pressures that the rest of the world is forced to work under, became quickly evident here at the state level too. The bells rang and rang. Will and I sat in the gallery and watched. Hardly anyone acted as though they had noticed the incessant clanging. People chatted happily and unconcernedly. Pages were summoned and dispatched, returning with requested cans of soda. About 5% of Representatives took their seats, and I seriously wish I could name the ones who were seated, logged in to their desk computers, notes in a neat pile, and patiently waiting. Those people deserve your votes.
And rang. And rang. Every few minutes, another elected official wandered in, chatted awhile, set down some papers and wandered off. The bells kept ringing. I timed them: for TWELVE MINUTES before finally the Speaker banged the gavel. It was ridiculous. These people are treating the job with the gravity of preschoolers who have been told it’s time to move from story mats to the play bins. It felt even more insulting since the federal government is shut down. If this is how they do it in D.C., well no wonder nothing gets done.
Entrance into the State House (I took this photo as we were leaving, when everyone was seated quietly in the House).
Sunlight adds depth and warmth to the arches and domes.
Looking directly up into the dome.
The much smaller Senate room was quiet.
We sat in the gallery and listened to the bell calling Representatives to work for a full 12 minutes.
…and FINALLY they went to work.
Please please do not infer that I mean to disparage only Rhode Island politicians. What I believe we witnessed is a culture that must certainly have its roots in D.C. My best guess is that every single state in the Union takes the job of politician equally (un)seriously. I was disgusted.
But it had been a beautiful day and I anticipated more! Outside the sun was dropping and we saw a pretty sunset.
Sunset over Providence.
I charged Will with finding cake. The day before had been my birthday and I had not eaten any cake for my birthday, which was a grave oversight. I demanded cupcakes. Will said he knew the perfect place.
We walked back to the Biltmore to get the car and went off to have many many cupcakes at Duck & Bunny. This restaurant calls itself “a snuggery,” which their website insists is a word. It is delightful inside, and the tables are scattered throughout the rooms of the former house. We sat next to the fireplace, that was filled with burning candles instead of of logs.
It was an incredibly fun day, the birthday cupcakes were extraordinary, and it still wasn’t over! Next we walked to The Trinity Repertory Company to see a play, which was so good I already did a blog post on it because I was excited to tell you!
Three of the six cupcakes I ate from their filled pastry case.
Entrance of Duck & Bunny is very New England
Inside this classy restaurant is artwork that seems familiar at first, but is distinctly rabbit- and duck- themed.
Entrance to Providence City Hall. What a beautiful way to see “please use a different entrance.”
This one will be real quick since I’ve got other stuff to do today.
My blogger friend Manja posts a lot of doors, and while I was in Providence I kept thinking of her while I noticed doors. I took photos of a few. This selection is not comprehensive of what’s in Providence, Rhode Island, nor is it a complete collection in any sense. Just a few doors that I thought were pretty, and remembered to take a photo.
Entrance to the Rhode Island State House.
The magnificent doors of St. Stephens Church.
black odyssey at Trinity Rep
January 17, 2019 in community involvement | Tags: audience, black odyssey, commentary, history, Homer, love, performance, play, politics, Providence, Rhode Island, the arts, The Odyssey, Trinity Rep, Trinity Repertory Company | 4 comments
Stage set for the opening scene of black odyssey, as the audience waits for the show to begin.
{All photo credits except the image above are by Mark Turek, courtesy Trinity Repertory Company.}
While I was in Providence, Will and I attended a show at Trinity Repertory Company, just a few blocks from where I stayed at the Biltmore hotel. Black odyssey plays from January 3 through February 3, and if you get a chance to go, you must do it! This is not Homer’s classical story of The Odyssey, but a political and historical piece that resonates when viewed against the backdrop of Homer’s work.
The audience finds out pretty soon that the gods are toying with the humans. Paw Sidin (Poseidon) sucking on a knight chess piece reminded me of the scene in that 1981 movie Clash of the Titans, when the gods loomed over tiny clay models of humans. In the movie, when the gods damaged the clay models, the actual people suffered. As Paw Sidin sucked on the knight, the human was drowning in the ocean.
Ulysses (Odysseus) was returning from duty in Afghanistan to his home in Oakland, with the weight of a murder on his soul. Paw Sidin was angry beause the man Ulysses killed in Afghanistan was his son. He knocked Ulysses into the water, vowing vengeance. Ulysses is barely kept alive by Aunt Tina (Athena) who begs her father Deus (Zeus) to spare him because he is her nephew. The play is the story of the gods battling in a game of chess over how to resolve this dispute.
The stage is painted as a chess board, so that you never forget that theme.
Costumes, shoes, and songs wowed us.
When Circe enraptured us with the pure pleasures of eating, the entire audience was salivating. And maybe not just for food. 😉
On the far right and left of the stage sit piles of old television sets that at first didn’t make much sense to me as a prop, and then became integral. The sets are different sizes, one tipped onto its side, and each displays a different scene, so the message isn’t always obvious. When Ulysses is drowning, for example, the scenes were all of rough ocean waters – that was pretty obvious. But at other times during the show, there are scenes from Oakland city, news broadcasts of historical events, or other evocative imagery including contemporary events like flooding during Hurricane Katrina and recognizable police camera footage, that help the audience put pieces together.
I’m one of those people that needs help in a story. I’m not very good at inferences from imagery in art, in acting, or in words. I’m oblivious to song lyrics. The screens brought it home for me.
I read The Odyssey a few years ago. A lot of you have read it, and you might remember that Odysseus was just trying to get home to his wife. The trials he had to endure crossed the line into ridiculousness and are only believable in the context of gods. He is captured by a Cyclops, the crew is turned into pigs, they are subjected to Sirens, Odysseus is trapped on an island and when he gets away his raft is destroyed. Come on!
Marcus Gardley wrote the play black odyssey based on The Odyssey to tell the story of a black man in America. In the play, Ulysses can’t find his way back to his wife and son for 16 years (turns out she was pregnant when he was shipped to the desert to fight). So many terrible things challenge them. The trials they all endure while he battles his demons and his wife raises their boy alone, cross the line into ridiculousness. Their story would only be believable if set in the context of, well, being a black family in America. Ouch.
Left to right: Omar Robinson as Paw Sidin, Julia Lema as Aunt Tina, and Jude Sandy as Deus.
Ulysses was lost at sea, so there are a lot of scenes with water, and rain.
Poverty, oppression, despair, manipulation, aggression and greed seep through the lives of these characters and try to destroy them. Ulysses is dragged and dropped by the gods Paw Sidin and Deus from one pivotal historic moment to another, teaching him that who he is has been shaped by his ancestors. There is a trail of pain and betrayal.
But there was so much love, too. It’s the emotion that seemed to catch my attention most often: love.
Ulysses would be lost many times, but for the power inside him. He and his family have reservoirs of love, and hope, and pride, and stubbornness that never let them give up. Against the careless whims of the gods, Ulysses somehow continues to survive. He learns to reach back in time to his ancestors and to use their love for him to fuel his efforts. The central message in the play is that we are a product of our ancestors, even when we don’t know anything about them, and that we should use our ancestors as a source of strength.
Another message is that our battles seem to be with outside forces, like gods playing chess, or the police, or the projects, but our theatre of war is actually within. Those battles need to be fought inside ourselves before the catastrophes on the outside can be resolved. Ulysses says, “We are who we have been waiting for.” That sentence was a jolt to me because I had already heard it in my own life, applied to me. At a Cherokee meeting two years ago, rapper Litefoot told us those exact words.
The show’s opening chorus was not a standalone musical event, but rather ushered us into a performance filled with song. I wasn’t expecting all the singing, or what a great vehicle it is in this case to help tell the story. There were some fun scenes as Tina Turner, Diana Ross, and James Brown performed. We heard African-American and Afro-Cuban spirituals and chants, lullabies, work songs and civil rights anthems. Many were known to the audience and the actors persistently asked us to join in singing and clapping.
Engaging with the actors helped to blur the wall between us, and I could not avoid yet another powerful impact of this performance, when I realized this story was about my path too. I couldn’t relate to Ulysses, but his journey – through all those ancestors – was beside me, and I saw my part in his story. I am not separate from him, and I need to know his story as well as mine.
Joe Wilson, Jr as Ulysses, and Julia Lema as Calypso.
Supa Fly Tiresias and his entourage.
The play is intense. I cried. In fact, the end of the first act was such a shock to me that in the first minutes of intermission I numbly put on my coat and stood to leave, thinking it was over. Will had to snap me out of it.
And the play is funny! It’s a delight of colour and texture and noise. It’s absolutely relatable. The costumes are out of this world. Will and I went crazy for the shoes. The SHOES! Ha ha ha. There’s a constant play on words for those of you who want a dozen little secret jokes. A couple of times the actors acknowledged someone in the audience who had become very engaged, and those moments made it more of an event than a show.
Every single actor is outstanding. They play multiple roles that overlap, such as the actor playing Paw Sidin also plays John Suitor, who tries to lure Nella Pell (Penelope) away from her dedication to her missing husband. The actress who plays Benevolence (Nausicaa) was such a convincing 10-year-old that I tried and tried, but could not figure out who was playing her until the end!
There is a happy ending. After the first, awful death, no other character dies. The gods leave Ulysses alone and are restored to good temper. For now.