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A woman’s place is in the revolution.
We began noticing the painted walls of Cork within an hour of our arrival. Every corner we turned, and every alley we cut through had bold artwork with bold messages.
“End Dublin rule in Cork.” [photo by Tara McMullen]
Cork street art is only one example of that, but it’s a good example. I’m drawn to street art and graffiti anyway, so I was already looking at the walls. It was fun to have these voices revealed to us even on that chilly windy day while there were few people about.
At the end of our Ireland trip (we’re home now) I recalled my graffiti shots and thought I’d do a collection of all the wall art from the trip. When we got home, I reviewed images and was reminded that almost 100% of our graffiti photos came from Cork.
These pieces were some of the first we noticed, and we went over for a closer look.
This one really impressed me.
Close up [photo by Tara McMullen]
Close up [photo by Tara McMullen]
After touring Elizabeth Fort, we made a loop of the outside of the walls of the fort, and found this.
Recognizeable faces.
What? It’s a cat!
We continued our circle around the fort, and Tara stopped to photograph an eye in a triangle. I moved a trash bin and found the rest of it.
Something significant is going on here. [photo by Tara McMullen]
More bones on the wall. I can’t tell if those little fish are shooting backward, or blowing out in advance of their movement.
I’m not sure what the technique is that makes graffiti look like black and white photographs.
Heron flies off into the lights.
We wandered into a city park and found more graffiti that matched the style of the “Dublin” one at the top. Possibly the same political activist.
On the left: “My brother knows Karl Marx. Met him eating mushrooms in the People’s Park.” On the right: “Willkommen. The People’s Republic of Cork.” [photo by Tara McMullen]
Ziggy’s Rock and Blues Bar.
“The Artist Beyond Control.”
A nice message to end with: “Love yourself.” [photo by Tara McMullen]
Frederick (Peter Curtis) and Mabel (Laura Tack) find a moment to talk. Well… more like a moment to sing.
I love theatre and for the past decade have only attended shows in Portland. However, I moved to a tiny rural town a few years ago, and recently discovered that across the river in Longview (somewhat bigger rural town), there is a theatre company.
My boyfriend Will is visiting from Rhode Island. Since he treated me to a show at Trinity Rep in Providence when I visited in January, I thought it would be fun to return the favour and take him to a show here.
Stageworks Northwest Theatre is now running The Pirates of Penzeance until April 7th. It’s a community production of Gilbert & Sullivan’s well-known comedy. For the blue-collar port town of Longview, Washington, they would have been forgiven for making some cuts to the show in order to pull it off. Instead we enjoyed the real deal: comedic talent, great singing, and a live orchestra.
Please forgive the relatively poor quality of my iPhone photos taken while seated in the audience, but they do give a sense of the fun, the great costumes, the splash of colour in every scene. This entertainment is inexpensive, every seat is a good seat, and we definitely felt part of the community there, while listening to patrons talk about holding season passes and other shows they saw. If you live around here, support your local arts and go check it out!
General Stanley’s daughters try to decide what to do about their sister Mabel. (Cassandra Charles, Rochelle Larsen, Rachel Welsh, and Claire Beck)
Major General Stanley (Patrick Hale) argues his case to the pirates.
Drama unfolds as twists in the story are revealed.
Frederic finds himself motivated by Ruth (Lorraine Little) and Richard, the Pirate King (Joey Le Bard), while the orchestra plays.
Twilight at 10:30am on Monday.
I drove into the path of totality on Monday, to experience the much-advertised total solar eclipse. The eclipse was remarkable in that it passed from the west coast of the US to the east coast, though the fervor of the buildup to Eclipse Day 2017 was unparalleled to any space/stars/meteor shower I have yet seen. The result of said fervor is that everybody and their dog was headed either south, or north, on Interstate-5, to get to the area around Salem, the capitol city of the state of Oregon. Salem was smack in middle of the path of totality, and one of the first places on the continent to see the eclipse.
Thus, I chose a different route.
I gauged that central Oregon – typically some of the most desolate landscape of the country – would be less of a destination. I was right to some degree, having to share that part of the world only with other people who had chosen it for the same reason. Because let’s face it: people were everywhere within the path of totality on Monday.
A Canadian eclipse-viewer stops for gas and cleans the windshield. His pup was along for the ride.
I passed through vast areas of wind farms. These things always make me think of a science fiction story.
As I have told you a hundred times, I’m a very busy person. The result in this case was that I had not made time to plan other than to get approval to take the day off from work. I had no eclipse glasses, no hotel or campground reservations, no destination in mind, and only a rough idea of where the path of totality would be.
Friday before the eclipse, as my workday was winding down, I started searching on the Internet for where to get those coveted glasses. And they were nowhere!! Everyone sold out & Ebay filled with $200 glasses that their owners had purchased for $12 a month earlier. I gave up and decided just being in the area would be wonderful enough. Fortunately, a friend was thinking of me, and while he couldn’t find eclipse glasses either, bought welding glass for himself and his friends.
Sunday morning I was delighted to find that traffic was a breeze. I was expecting Eclipsageddon on the highways. As I drew closer to the path of totality, the traffic picked up enough that I was certain it was eclipse-related. I could not stop myself from thinking that every time I had been in this region before, I felt like I was the only person in the world. It is that desolate. But that weekend was different.
Heading south. Clearly we all have the same thing in mind. I giggled to myself about the famous Oregon driver politeness. Look at how courteous we all are here, giving plenty of space between each vehicle. This behavior makes East Coast visitors go friggin mad with frustration.
Further south the views became more beautiful to me.
Oregon’s path of totality. (image courtesy NASA) The star is where I live. The arrow points to my campsite.
OK, quick refresher for anyone who wants it: the “path of totality” is the path in which the eclipse is total. That means the moon fits perfectly in front of the sun for at least a few seconds. I guess the path is 70-80 miles across. At the center of that swath, the length of totality was 2 1/2 minutes long, and shorter as you moved toward the outside edge of it. I snagged a map (shown above) from the NASA website, and chose a place to head for.
I stopped in the adorable town of Condon, just outside the path, and I relaxed. It’s amusing in retrospect, but after a month of run-for-your-lives! warnings on every media source, including my employer’s mandate that all employees must work at home on Monday, to avoid driving, I was filled with anxiety. In reality, I made it with no hiccups whatsoever. I chalk it up to 1) heading for a typically desolate area, 2) heading in Sunday instead of Monday, and 3) the fact that eclipse viewers had been trickling in for the past week, so the full population was not impacting the highways on the way in.
Mainstreet of Condon, Oregon
Museum inside the Veteran’s building in Condon
Condon was well-prepared for the eclipse tourists. The tiny town looked like it had been scrubbed from top to bottom. Buildings painted, streets swept, flower baskets out, windows washed, colorful banners up and welcome signs everywhere. I pulled to a stop across from a Veterans Memorial building, and thought I would stretch my legs in there, and see what was inside. To my delight, the space was being used as an art museum, displaying works from local painters and photographers. It was quiet and cool and had a bathroom! I lingered in front of one collection from a single artist, and the woman managing the place came up behind me and asked if I had ever been there: the canyon depicted in the paintings. I had not. She introduced herself as the artist and said that Blue Basin, within the John Day Fossil Beds National Monument was her favourite place in the region. As long as I was there anyway, she insisted I try to walk the trails there. Just as I was about to ask about potential for camping, she noted that all the public trails would be closed for the eclipse.
I went directly south, through Fossil, Oregon and then east. I discovered that I had left the Internet and cell service behind in Condon, so I was on my own out there in the wild. Remarkably, my GPS sort of worked, and I found a National Forest nearby. I thought, “I’m a taxpayer; it’s my forest too!” And drove up into the hills and found a flat spot and pitched my tent. Throughout the evening, more people trickled in, clearly others as brilliant (and procrastinating) as myself!
Some entrepreneurs thought to rent out space in their fields after getting the hay in. This farm was charging people to set up tents and trailers. If you click the image, you’ll be able to see them in the distance.
Closer shot. There were already hundreds of campers by mid-afternoon. I’ll bet the population was enormous by midnight. I hope the ranchers made a mint!!
National Forests are for everyone!
Watching the sun go down from inside my tent. The murky skies eventually turned into a spectacular sunset.
All day long the skies were worrisome. We’ve had a record-breaking wildfire season (every new summer breaks a new record…sigh.) and smoke was blowing in from fires in Oregon, Washington and British Columbia. The orange-brown particles obscured the views in every direction. Even more distressing were the cirrus clouds that heralded a change in weather (remember I was a forecaster in my former life). As evening drew nigh, low-level grey clouds thickened and spread across the sky. It began to look like rain.
Miraculously, the sky was spotless blue in the morning. Even the smoke from the fires had cooled and settled into the valleys, leaving the sky above as perfect as any of us could have wished for.
On the way in I had spied a promising high point along the road, with views in all directions. Wide open, beautiful, accessible. In the morning, I packed everything up, and headed back the way I had come, in order to put myself at that spot at about 9:30am. I worried about police coming along and telling me not to park on the side of the road, but I was determined to do it anyway. Imagine my surprise when I found dozens of vehicles already parked where I was headed. I merely found a spot in the midst of the crowd. Again, my bewildered brain recalled that I had been on this road before, and it was not unusual to drive an hour and not see another vehicle.
Eclipse-gazers line both sides of the highway on this curve in the road. If I showed you the view to my right, you would see an equal number of cars in that direction. The hills you see are where I camped.
I walked around taking photos to kill time. I met a photographer who had drool-worthy equipment and had thought to purchase a sun filter so she could photograph the sun safely. I met families with bouncy squealing children, and aging hippies, and science nerds and adventurous twenty-somethings. We all loved each other for being excited about the same event. We were all instantly friendly, trusting, generous. No vehicles were locked, and many doors were wide open with expensive camera equipment and wallets and sunglasses on the seats, available for the taking if any of us wasn’t so filled with joy and love. One family asked if I had eclipse glasses, and I said I did not, and they instantly brought me a spare pair from the truck.
“What were you going to do without glasses?” they asked with genuine concern.
“I have welding glass. Shade 13. It’ll be just fine.” I said to their skeptical faces.
To back up my confident statement, I pulled out my glass and held it in front of my eyes and turned to the sun. And gasped! There was a black disc obscuring 1/4 of the sun. “IT’S ALREADY STARTED!!!!” I yelped. And others, who had calmly discovered this before me, smiled and agreed that it had already started.
Totality was scheduled to begin at 10:22 am, and until then we kept our bubbling enthusiasm under control. I was wearing a Brandeis T-shirt, and was approached by multiple people with affiliations with the school, or who were alumni. That was fun. A couple from Rhode Island complained about the slow and polite Oregon drivers. I spent most of my time with one family from Seattle. Mom chatting with me and Dad constantly hollering at his little girls to put their eclipse glasses back on. They had a white sheet on the ground to capture some mystical phenomena they had heard about. The photographer lady from earlier discovered that she could make a pinhole viewer with her hand, and came over to ask if she and her husband could use the sheet. Once the kids spotted that, everyone wanted to make tiny eclipses with their hands. All the adults tried it too. A woman passing by saw what we were doing and said that she had just passed a tree, and there were a thousand tiny pinhole eclipses cast across the ground by the leaf shadows.
The gorgeous farm next to where I parked.
Playing with different views of thistles and fields. You can see the wildfire smoke beginning to rise with the heat of the day, in the background.
Seattle dad and one of the kids on her back – yes, with her glasses in place.
Making pinhole eclipse-viewers on a sheet.
Here, this one is easier to see. Cool, huh?
And then it became evident that something was happening. The temperature dropped and the light became….odd. It felt like sunset, but my body and brain knew it was morning. I didn’t notice any changes in animals, but had not noticed any animals earlier either. There were no cows or horses close enough to watch, and no crickets. So all we had to notice was the light. And each other. We constantly looked at the sun, then looked at the land. It is truly astonishing how bright it is outside with only a sliver of sun left. All it takes is one tiny bit of that orb to light up our entire world. I snapped a few photos.
Almost totality. What a curious light.
Photographer and her husband.
And then, blam! A distinct change in light and temperature. One man said he was hoping to watch the shadow fly across the land, and I think that would have been cool to see. But it happened too fast. In an instant, we were in totality.
The place we stood probably afforded us only 1 1/2 minutes of the darkest skies. I have to admit: I was envisioning complete blackness; the Milky Way and everything. But no it was not that. It got dark though. We saw stars – or more likely, planets – but only the brightest of them. The light was indescribable, and my photos do not capture it, as my camera is brilliant at sucking in all available light and making things show up better in the photo than in real life.
I think this photo best shows the quality of the light. It was darker than this, but I think you can tell by looking at this that it was an odd light.
My only heartbreak of the day: I did not know you could look at the sun during totality. No one had said this in any of the videos or articles I read beforehand. During totality, the light was too dim to show up through the glass or the eclipse glasses, so with nothing to look at, I dropped my gaze to the ground, and pretty much stared at the ground for the entire period, trying to protect my eyes from instant vaporization – or whatever the fanatical warnings were all about. NEVER NEVER LOOK AT THE SUN DURING AN ECLIPSE! OR YOU WILL DIE! Thankfully, as I moved my gaze away, I accidentally caught a split-second glimpse of it. And it was AWESOME. It was everything you could ever imagine. So unreal, and even in that brief amount of time, burned into my memory clearly.
As the period of darkness ended, and the world lit up again, all the people cheered and clapped. That was fun. The kids squealed about the waves of light shimmering across the sheet, as we had also seen at the very beginning of totality. I was still exhaling and letting some of the awe and astonishment fade, when a couple of cars zoomed off along the highway. They were getting out ahead of the crowds.
I had the opposite plan. My plan was to dally. Rather than head north like everyone else, I decided to head south and see if I could find that canyon that the museum lady talked about.
{This got really long. Sorry about that. I’ll post a part II so I can tell you about Blue Basin and the trip home.}
Jeff Pevar on electric guitar and David Crosby on acoustic.
Lucky for me, a person can love music even when she has pretty much zero ability to create it. Oh sure, I was assigned French Horn in gradeschool mandatory music class, and played guitar from age 6 to about age 30, and learned about 9 chords and a few folk songs. Sure I sing along to Ed Sheeran when I’m driving home from work. But I truly admire the people who can *really* make music. So when I’ve got the time and the energy, I hit a concert.
You’ve already heard me rave about Black Violin – a duet of classically trained violinists who build their own irresistibly compelling brand of hip hop. They came to Portland again, so I grabbed a friend who had not yet seen them in person and saw their latest show.
The iconic Portland sign at the Arlene Schnitzer Concert Hall
Black Violin can’t stand it when their audience sits still.
Kevin Sylvester and Wilner Baptiste are Black Violin.
To avoid the hassle of carrying a quality camera, I relied on my phone. So… as you can see, the images are poor quality. But you get a sense of what I saw.
My good deed was confirmed accomplished, when my friend just exploded with excitement over the performance, and had purchased some of their music by the next day. Just doing my part…
Last week I saw David Crosby. You’ll know him as the “C” in CSN (and sometimes Y).
I’m not actually a Crosby fan, though his music is good. My favourite musician of all, Marcus Eaton, is also a dear friend of mine. Marcus toured with Crozby for his last album, CROZ, and so…I don’t know…I guess an affinity came of that. David Crosby has been making music – good music – for so many decades that I can’t deny his professionalism and relevance. And I had never seen him before in concert, or even Crosby, Stills, and Nash. (I did see Steven Stills play halftime at a Colorado Rockies game, but I digress…) And finally, his show would be at the Aladdin Theatre in Portland. It’s a venue that can’t be beat if you’re looking for intimacy and atmosphere.
A string of great acts coming up at The Aladdin.
I arrived in time to buy a beer before the show, and while I was standing in line, got to talking to the man in line ahead of me. I mentioned that I love seeing concerts at the Aladdin.
“Did you know that this theatre had the longest running of the film Deep Throat of any theatre in America?” he asked. (I researched later, and sure enough, during the 70s and 80s the Aladdin was a movie theatre, and the premiere exhibitor of the X-rated classic, Deep Throat)
“Uh, I did not know that,” I answered.
“I love this theatre!” agreed the woman in line behind me.
“Have you seen performances here before?” asked the man.
“Only Deep Throat,” she answered, straight-faced. Then we all burst out laughing.
Pevar, DiStanislao, Crosby, Agan, Willis, Raymond
I was not familiar with most of the musicians on stage, only James Raymond the keyboard player. Raymond is Crosby’s son, and an accomplished musician in his own right. Raymond was adopted, and did not know his father until he was an adult. What fun to find your dad, then find out you had music in common? I just love that story.
His tour is David Crosby & Friends, and there was a great collection of artists on stage: Jeff Pevar the guitarist who was jammed full of energy, Steve DiStanislao the drummer who was spot on, Raymond at keyboards, Michelle Willis from Canada who also played keyboard and provided some solid vocals, and tiny Mai Agan from Estonia, in the background, playing the heck out of a bass guitar in a short skirt and boots. Pevar and DiStanislao hardly stopped grinning, which added a happy vibe to everything.
Crosby is well beyond putting on airs at this point. Or, since I’m such a newcomer, maybe he never did. He greeted us with warmth, as though we were all hanging out on a mellow Tuesday evening in a really big living room. The venue is small, and can hold only a few hundred people, so the sense of being intimate was easy for Crosby to achieve. He chattered just a little between songs, but made an impact, getting in some digs about the ineffectiveness of Congress, his criticism of politicians in general, the need to take action on important issues, to critique the media, to remember to love one another. He also spent a few minutes teaching us to howl like the Na’vi from the movie Avatar.
He talked fondly of each of his musician friends on stage, gushing over each one and affirming their skill and practically declaring each one the best he’d ever known. Maybe they are. Maybe when you’re a rock icon you naturally have the best of the best on stage with you. Most touching was when he talked about his son.
“I’d say some of the best work I’ve ever created is in collaboration with James. Wait, what am I saying? THE BEST work I have done is since I started working with James.” At this, Raymond put his hand over his heart in a gesture of humility and appreciation. Crosby talked about working with Raymond for years, and about appreciating every moment of it. He talked about how Raymond was adding a jazz influence to their work. A few people clapped. “It’s ok!” he said to the audience. “You can like jazz!”
And then they got back to making music.
A view of the stage during a break.
Pevar and Crosby
Crosby, Willis, Raymond (and Agan, if you look carefully)
Since I am not a fan of the music, and since it was really good music anyway, I sat back in my seat in pure pleasure and let my eyes rove over the faces of the crowd. During the evening I had spotted about 5 people in their 20s, about 5 in their 30s and 40s like me. But everyone else was from a different generation. Most in their 60s.
I distinctly noticed that no one was old. You know how people can be young or old, regardless of their years? It was like the people who showed up were still tapped into their youth. Everyone smiled. There was so much grey hair and so many wrinkles and so many smiles. The energy was generous and warm and enveloping and oh, so glad to be there. The songs clearly took many people back in time. People remembered a time when their bodies didn’t require so much thought, and they swayed in their seats and some held a cane, and some just beamed. There were whoops, and howls, and fists in the air.
It was a beautiful environment, and I was delighted to be there with them. I felt like a visitor to another culture, and it was a culture of love and generosity and acceptance.
Earth Day is celebrated in Longview, Washington on grocery bags. Jillian Carter from Rose Valley Elementary created this beautiful work of art. Jillian is in the 4th grade. Her teacher’s name is Mrs. Bush.
I needed a wider variety of things than usual on my shopping list, and went to a different grocery store than usual. I don’t know what your local store is, the one that carries milk, avocados, rice, fresh salmon, summer dresses, screwdrivers, packaging tape, hibachis, shower curtains, potting soil, fishing poles, and greeting cards, but the one I use is called Fred Meyer.
The cashier was loading stuff into plastic bags before I noticed. “May I have paper for the rest?” I asked. 1) I grew up in timber families, and that’s a way to show your support for the timber industry, 2) I try to avoid plastic consumption when I can, and 3) ok the real reason: I use paper bags to start the fire in my wood stove.
Portland, Oregon is the nearest big city, and that city has banned the use of plastic bags by retailers. From the City of Portland website on Planning and Sustainability: “Plastic bags are extremely lightweight and can act like balloons blowing out of garbage trucks and landfills. These flyaway bags litter our parks and trees, enter storm drains and can eventually end up in rivers and oceans where they break into small, toxic pieces. Plastics have found their way into all five of the world’s major ocean current systems and are one of the most common types of litter found in Portland’s rivers and on Oregon’s beaches. Sea animals often mistake plastic particles for food, causing harm to the animals and potentially affecting the seafood we eat.”
Longview, Washington has not banned them, and most cashiers at grocery stores default to them. Perhaps they are more convenient to fill? I do get the sense that customers ask for the plastic bags because they are easier to carry. But I always ask for paper, and the staff is always pleasant about complying. Longview is, after all, a lumber town.
My cashier grabbed a bag with a giant multicoloured Earth on it. I am used to seeing a variety of advertisement and art projects printed onto paper grocery bags for one promotion or another. On this one, I admired the quality of the printing, that made it look like real crayon, right on the side of the bag. The next bag she picked up was also decorated, with a sharp, bold image that was obviously magic marker and not crayon. My eyes followed the bag as she moved it into position to begin filling it. She noticed.
“I like when they do this,” she said, gesturing the bag. “The kids do art work for Earth Day.”
“Are those originals?” I asked, possibly sounding a bit over the top, gushing about original artwork on a paper grocery bag. “Is that real crayon and ink?”
“Yep! The local kids do it in school.”
Oh dear, my face registered. I explained to the cashier that the whole reason I asked for paper is so that I can use the bags to start fires. Now there is all this beautiful artwork on them, and I’ll feel terrible for burning them up. She nodded. I brooded. The counter between us continued to beep! as she scanned my items and filled more bags. Then I had it.
“I’ll blog them!” I told her, triumphantly. “I keep a blog, and I’ll post photos of these bags. That way they will be preserved, and I can then burn them when I need to.”
“That’s a great idea!” she said, obviously impressed with my social standing in the world: A Blogger. (Ok, I’m just wishing she was impressed.)
I got the bags home and emptied them. Inside each, and adding to the treasure of four bags covered in original artwork was the dutiful inclusion of each artist’s name and school on a slip of paper in the bottom of the bag. Fodder for a fitting tribute.
Marie Smith made this one. Marie is in the 2nd grade at Northlake Elementary. Her teacher is Ms. Magnuson.
This piece was done by future typeface designer, Shailia Wild, a Kindergartner at Robert Gray School. Her teacher is Jodi Hanson.
I found this on the back. I would like to believe this piece belongs to Shailia’s little brother Jordi, who wrote “Help Our Earth!”
One bag had a full sheet of paper with lots of information. The Earth Day grocery bag art contest is held in all Kelso and Longview classrooms. During the month of March, they pick up over 5,000 brand new grocery bags from Fred Meyer and decorate them in anticipation of Earth Day in April.
There is an art contest and the winning school districts win $250, which goes to the classroom with the winning artist. This year they have also partnered with City of Longview Parks Department and the Arbor Day Foundation, so the winning classroom from Longview will also have an Arbor Day tree planted on their school grounds the end of April.
The winning bags are kept aside for honors. See the winners on the Longview Parks and Recreation facebook page. The rest are returned to Fred Meyer to be used for bagging groceries for shoppers. Like me.
Jasmine Christopher made this Earth with a knowing smile. Jasmine is a Kindergartner at Robert Gray school, and her teacher is Mrs. Box.
Hey, Jasmine, Shailia, Jordi (I just made him up, by the way), Marie, and Jillian, your Earth Day art is beautiful original art work that inspired me to learn about your communities, your schools, your teachers, your hopes for prizes. I learned more about Earth Day celebrations, Arbor Day Foundation activities, and Fred Meyer. I thought about my personal consumption and the impact it has on the planet. You made me smile and you made the cashier smile. My wood stove fires are ever so much classier now. You gave me a great blog post.
If that isn’t winning, I don’t know what is. Thank you! And congratulations.
Litefoot graciously acquiesces a selfie with one of the group.
Litefoot is Gary Davis. And Gary Davis is a man with a mission. That mission is to inspire people to get up off the couch and take action.
At the last Mt. Hood Cherokee meeting, our new friend Gary Davis stopped by to share a few words. An enrolled member of the Cherokee Nation, Davis spoke about his interesting life story, but the story paled when he drove home a message at the end of his talk, about hope, tenacity, longevity, purpose, action, and faith.
He grew up in Tulsa, Oklahoma but fell in love with a woman who lived in Seattle. She turned out to be smart and capable, as well as beautiful, and Davis knew that there was something for him in the Pacific Northwest. It helped that he’s a huge Steve Largent (Seahawks) fan. He’s lived in Seattle with his beautiful family (they all came to the meeting too!) since 1997.
Litefoot was gracious and generous with all of us.
Davis took the stage name of Litefoot and began rapping for his friends on the reservation as a teenager. His first rap album was produced in 1992. His music touched a nerve for some and resounded for others, bringing up painful or powerful topics from an Indian’s perspective, in contemporary music. He reached even more people with his first movie in 1995 when he was The Indian in the Cupboard. He added television roles to his movie roles. And all the while he kept making music.
Back in the early days, Davis said, he knew what he wanted to do and he had a meeting with Chief Wilma Mankiller and told her about it. “I knew Oklahoma was not the rap or hip hop capital of the world. What I wanted to do was bring a message to the people. People were hanging their heads. Other people recognize what we have to be proud about that we don’t even realize.” The Chief could have reacted in any number of ways to a young punk making modern music, and she chose to ask him to sing at a function for her. “But there’s one thing,” Mankiller said to him, “I want you to speak.” Davis said he thought he was nobody and had nothing to say, but he did as she asked.
The messages of positive action poured out of him.
It wasn’t that there was nothing on his mind, but more like too much on his mind. “Things have gone on for so long that people can’t even find a beginning point in order to find something to say. I prayed for the right words and 15 minutes later I stopped talking and people started clapping.” He knew speaking was for him. The high only lasted until the end of a show when a girl met him and demanded, “What did those Pilgrims do to you?” Davis said he thought to himself, “Brother, you have a long way to go. You have people with privilege who don’t even know they’re privileged.”
Since then he rapped in Kodiak, Alaska all the way across the continent to North Dakota and Maine. He was invited to perform in Rome. In 2005, he and his wife Carmen Davis started the Reach the Rez tour, to bring a positive voice to native people. To “get out ahead of drugs and suicide” he told us, “not once something has already taken place.”
Davis is every bit as active as he says people should be. I mean, he walks the talk. His message resonates with me personally. I can get a little uneasy among my Cherokee brothers and sisters, and I begin to feel like an outsider when I don’t find people who think about our heritage the way I do. So many Indians are about spirituality and artistic expression to connect to their indigenous heritage or to send a message. But that mooshy stuff simply doesn’t really resonate with me. I totally get that there is a power in activism through radiating your positive energy into the world. I totally believe that people’s lives are changed through creating or experiencing artwork. But…uhh…it makes no sense at all to me. Listening to Davis made me feel like I belonged again. Here is another one of us, and this man is about practicality and action. I am that kind of Indian.
Davis gives us his perspective on how things get done in Indian Country.
Members of the Mt. Hood Cherokee group listened as Davis inspired us.
He told us that someone once gave him a critical message: “No one cares.” We can moan about how poorly our ancestors were treated, or about how hard it is to get ahead now, and how racism and how cultural appropriation weakens our power, but it will not get us anywhere. People have too much going on in their lives to give us their effort and attention, and there are competing stories of need. “I care, because I am one of you,” Davis said. “But in general, people just don’t care.”
The answer is to become your own change. Do something. Volunteer, help build a home, help get legislation passed so that kids have access to better education. “I’m willing to think outside the box. It may not be the most comfortable for me, but I do what has to be done, in order to make it happen. People sometimes only see you for how they see themselves. They’ll say ‘We’ve tried that and it didn’t work.’ or ‘Nobody has done that.’ But don’t let their words limit you.”
Davis grew more animated as his message became animated.
“If it doesn’t speak to you; if it doesn’t resonate with you like you’re on fire, then get out of there! What is it that you’ve been born for? I love education, but it’s not the be-all end-all for everybody. What’s your thing? We need to know our own value. We need to know how brilliant we are.
“So many of us, so many Indians, have important things to do and we need to get out of our own way. Sometimes people live their lives as though on accident. Ask yourself ‘Why am I doing this?’ If it is just about checking the box, it’s not the right reason. We are who we’ve been waiting for. There’s nobody coming, man. It’s up to us. We’re good enough to do this. We’re capable enough.
“We weren’t still supposed to be here in 2017. We were supposed to shrivel up and go away and die. Most of America doesn’t even want to get out of bed in the morning and see that we are still here. This wasn’t supposed to happen. Are we gonna sit here and talk about what they don’t do for hundreds and hundreds more years, or are we gonna do something?
“You can make excuses, or make a way. Just start. Take a step.”
Litefoot is working on his 12th album, scheduled to be released June 27th on the birthday of Warrior Kai McAlpin. This sweet little Cherokee tyke was sick with cancer on the day Davis spoke to us, and died three days later. It allowed us to hear Davis say “Kai is…” and we thought of Kai that day, alive and loved in Oklahoma.
All images in this post used with permission from Portland Center Stage. https://www.flickr.com/photos/portlandcenterstage/sets/72157671722653471
I live 47 miles from Astoria, Oregon. It’s a lovely town at the mouth of the Columbia River, sheltered a couple miles in from the Pacific Ocean by a serious sand bar and Cape Disappointment (the name of the cape is a bit of foreshadowing).
There are three stories I want to tell you. 1) The story itself: the real life nation-building story. 2) The play about the story, which somehow totally works! 3) The Armory, the building hosting the play.
The overland party, looking ahead and realizing their destination remains far away.
The wicked Captain Thorn gazes to the horizon from the deck of his ship.
I entered the theatre with a virgin understanding of the journey about to unfold. That is, no understanding. I had learned, in the course of reading a brief synopsis while buying my tickets, that the man who financed the expedition to found Astoria was John Jacob Astor. And in that way, two weeks ago, I learned how the town got its name. That should illustrate the level of not knowing the story I’m talking about.
Over the next 3 hours I began to realize it’s a *monumental* story of how my part of the North American continent became the United States instead of Russian territory, or British, or Canadian. Before the play I could tell you more about the founder of the McDonald’s franchise than I could about the early explorers of Oregon, because we are products of what we’re fed through media. Why oh why aren’t we fed the good and healthy stuff?
The play is based on the book by the same name, written by Peter Stark. It’s set mostly in 1810. Astor was a wealthy German immigrant who wanted to become more wealthy by capitalizing on the fabulous otter pelts that rumor had it were there for the taking on the Pacific Coast. From his home in New York City, Astor arranged for two separate approaches to the Columbia River: one by land and one by sea. Back then, the sea route was by way of Cape Horn, Chile. Remarkably, the sailors got there first. The time pressure is a plot point, since whomever establishes the first trading post will control the fur markets on the west coast and will certainly have access to the most wealth. Astor is constantly fretting about news that the French might beat him to the prize.
Sailors from the ship maneuver a smaller boat.
One night around the campfire with the overland party.
Hundreds of people joined his expeditions, including men from Scotland, Hawaii, Quebec, Ireland, and England who joined the original Americans on the teams. And original, original Americans (indigenous people) contributed further to the survival of those who did make it to the destination. Because yes, many people died along the way, including the two Hawaiians who froze to death trying to cross the bar into the Columbia River. They were not the only men who died at the bar, in the shadow of Cape Disappointment. Remember I said “foreshadowing?”
What’s remarkable, and irresistible, about this story, is how much went spectacularly wrong. Many people died by accident, and some were killed. Two went insane. Often people fought with each other, and hated each other. Miraculous are the repeated incidences of survival in the snow, survival from starving, survival from drowning, from raging ocean storms. Though catastrophes don’t always result, there was always a threat: of mutiny, getting lost, scalped, abandoned.
Chris Coleman, the artistic director, pulled off magic with that stage. One set, mind you – with occasional backdrops – conveyed a ship on the open sea, or a wealthy fur-merchant’s home, or a frontier fort, or a camp in steep mountains, beside a creek. We got up close and personal with four people rowing a boat, we listened to quiet conversation among the bunks below deck of the ship, we huddled close to the fire and tried not to feel hungry while a trapper told a story, we gasped in despair when three provisioned boats smashed and were lost in a river, and we watched while travelers reluctantly slid from their horses to continue on foot. All one set, and it worked. Like I said: magic.
Scenes with all actors on the deck of the ship were convincing partly because everyone swayed in unison with the waves. We soon learned that tables can be anything, often boats. I enjoyed the artistic creativity throughout, such as when Astor meets with three potential leaders of the excursions. All three are on stage at the same time, in points making a triangle. As each one leaves the meeting with Astor, they rotate until another is before Astor.
More magic: 16 members of the cast! Just imagine how many people you would need to portray the multiple journeys (one by sea with all the crew to run a ship, the overland party split into two, and still Astor remained in New York), and then imagine only 16 people bringing it to life. It’s a tribute to the quality of the actors that they were able to pull this off, switching back and forth between dramatically different characters, such as when Leif Norby starts as John Jacob Astor but becomes a crusty, bearded Frontiersman Edward Robinson, and back and forth. DeLanna Studi is introduced as Astor’s elegant wife, then becomes a pregnant Indian woman, then switches back. The accents switched from thick Scottish to Kentucky backwoods to prim English to French to German. Wow! I’ll interject my only criticism here: impressed as I am by the ability of the actors to do this, it was distracting to look into their faces and recognize other characters. This was amplified because I was in the front row and so close I could discern crow’s feet. I think at a distance it would not have been such a problem for me.
Antoine and Joseph consider the finer qualities of distant mountain peaks.
Action never stopped, and even the slow moments were tense or foreboding. In real life the years-long journey was a grueling series of hardships day after day, but on stage the successes and catastrophes rode each other’s heels, barely allowing an audience-member’s heart to settle in between. Amidst the hardest times in life, humans manage to find a way to laugh at their circumstances, and thus we had a not insignificant number of funny moments, such as when a couple of Frenchmen gazing at sharp mountain peaks began comparing them to breasts (“Grand teton” is large breasts, in French, and we can only imagine our travelers must have been in Wyoming about then).
Surprisingly, there was a lot of singing, though it was not a musical. I found this to be very effective support to enriching the scenes, helping us to be back in time with the actors, and helping us to understand the cultures blending on stage. One funny example was during a scene with many people rowing a boat and singing to keep the cadence. It was one of those classic tunes that multiple countries claim, with their own lyrics, and the rowers from different lands were competing for which was the “correct” version of the song, with good-natured and rowdy aggression, singing louder and louder like sports fans arguing over favourite teams.
Robinson and McKenzie face off.
At long last the overland parties reunite and find the Columbia River (though not yet its mouth). Captain Thorn sends enough sailors to the bar that eventually some of them live to find the entrance into the river. And that’s the end of part one! We have to wait until Portland Center Stage presents next year’s performances, to find out what happens in the end. In the meantime, I’m going to read the book.
I mentioned earlier that the performance was about 3 hours, but that includes a nice long intermission halfway through. Before the show I had admired some of the structure of the old brick building, called the Armory, and at intermission I investigated further.
The brick structure appears castle-like from the street, but it’s hard to get a good look at it because it’s downtown in the Pearl District and surrounded by tall buildings. Inside, I saw that the entire expanse is open: no support beams the length of it. There are two levels, but the second level is merely a balcony, a mezzanine level, that surrounds the open lobby with places to sit and chat, or look out the window. So I looked out the windows, which are bonafide rifle slits – glassed in and wood-framed, ha ha – leaving no doubt about the military origins of the building. I walked right up and put my hands on the bricks. Something about touching something helps me connect to the proper time and place to understand it.
So many bits were intriguing to me that I had questions about its construction, and sought out the concierge. I asked for an information brochure.
“We have a book, if you want,” he said. “It’s a regular, bound book, all about this building. We give them to people who are particularly interested.”
It was the most serendipitous outcome of a random question that I’ve had in some time. The man walked off, and returned moments later holding a large, gorgeous, illustrated, full-colour, 192-page book about how a crumbling and abandoned former military armory became a modern theatre. In fact, that’s the name of the book: “Voices of the Armory: A Chronicle of the Transformation of a 19th century icon into a 21st century theater.”
“Here you go!” he said, obviously pleased to hand it over. “It’s free! I think you’ll love it. I have one and I love it.”
This beautiful book was more than I could have expected.
A peek inside, where there are hundreds of photos of the restoration of the Armory.
The show was originally supposed to run through February 12th, but was so successful that the run was extended. If you are in Portland, you can still see it, and you should! Look for it at https://www.pcs.org/ Tickets are available through February 19th.
Thousands of people, one message: we are all one.
I am proud to say that I was among them.
I’ve had the edited photos sitting on my desktop since the evening of the 21st. Waiting to be posted, and shared. Waiting to spread that energetic joy and solidarity. I began an effervescent post that day, in my heady, giddy evening, finally thawed and dry again. I was too tired to finish it that night, but this is part of what I wrote:
“I joined what event organizers estimate was 100,000 people who turned out in the cold rain to support inclusivity of all people, and mostly women. I saw thousands of Pussy Hats (on men too!), which I had never even heard of prior to arriving, but soon enjoyed the joke with everyone else. I got totally soaked and my fingers became so frozen I couldn’t even operate the camera function on my iPhone anymore, and missed some good shots, and through it all, I was laughing. And the men and women next to me were laughing. And the police were smiling at us. And the bystanders on the sidewalks were smiling and waving, and some of them were singing to us. Singing! Women’s voices lifted in spiritually bolstering sounds of protest songs.
Downtown Portland was jammed. Shoulder to shoulder, and you-could-poke-an-eye-out with that umbrella, jammed. When it was time to start the march, at noon, the police escort vehicles could not get from the organizer’s stand to the front of the crowd to begin the march. Their lights flashing, they inched forward and people smooshed aside, and we did not begin marching till 1:00pm. There were so many people that when I was all done marching, and in the Jeep running the heater to get warm and dry again, people were still under the Morrison Bridge, waiting for the press of people to thin so that they could begin their march.”
I loved this sign not only for the message, but because it’s a reminder of the rain, rain, rain.
Walking along the waterfront to the main gathering area.
I’m sort of too refined to laugh. Almost.
…and on January 22nd, the wind was knocked out of my sails. And I was so angry I began a second post, which still sits in my WP drafts folder, filled with damned good reasons why I’m angry. Because I, personally, have been attacked by my own President (because I’m female, a veteran, mother of a transgender child, a person with disability), and then explaining how all of us were not only ignored the next day, but shown an enormous orange middle finger. Not only was the administration working as fast as possible to repeal a plan to reform our nation’s health care system, but the President’s immediate reaction to our exquisitely clear message (i.e. women’s issues are important to many, many of us, and it is so important that we need our country’s leaders to know it), was to wipe out U.S. assistance to overseas organizations that provide healthcare and counseling to include family planning. Read: women’s health issues.
People line the Morrison Bridge to look down onto the crowd. Once I spotted this, I wanted to get up there with my camera so badly! But the crush of people was impossible.
I love: his T-shirt, and the Prince umbrella!
Signs: Oregon Nurses Make A Difference, Dosvedanya Donald, Rise UP, Health Care For All, Resist, Stop the Lies, Yes We Did Yes We Can
No attempt to acknowledge that there were millions of us asking for the total opposite. No explanation for why we were ignored. And just to make it perfectly clear, an executive decision that was a resounding slap in the face. “Here’s what I think of women’s issues, and of your opinions, bitches.”
After an event that manifested into so much more than promised, after it spread not only to all parts of the U.S., but to places around the world, our movement should have been undeniable. The polite and democratic – and LOUD – message from men, women, and children of America should have been undeniable. That is, undeniable to anyone whose finger is on the pulse of current events; anyone who realizes that leaders are supposed to reflect the voice of the people. And the one man we were trying to poke doesn’t have those qualities, apparently.
Though I use this blog to post my soapbox rants periodically, that day I didn’t. I was seething, and I do not want to spread that nasty energy out into the world, so I couldn’t post. My anger turned to sadness and disillusionment with time, and I still did not want to send that out. I love you. I want to share my perspective, but I do not want to stir up your darkness just because mine is stirred. Yes… sometimes I do it anyway… but I like it best when I can cool off first before spouting off.
I heart immigrants and a big bird-ish thing. Don’t ask me…
This is NOT OK. I Stand With Planned Parenthood.
Laws off My Body. Outraged. Oregon Nurses Make A Difference. In Our America: Love Wins. And note: the handmade Hillary handbag.
See look, it might be relevant background information to know I just finished reading Herman Wouk’s War and Remembrance. Wouk methodically tracked, month by month, the devastating sweep of dictatorship in WWII. The gradual shift from one man’s delusions of grandeur to his psychotic reign of terror. The hesitant but acquiescing actions of first a political body, then a nation, and then the neighboring countries of Europe, remorsefully handing over their citizens because it was easier than pissing off Hitler. I saw how possible it was then (and could be now) for so many people to help him with his goals, and how many of them had facts right in front of their faces, but instead yelled about lies spread by the opposition! I’m telling you, I was freaking out. I sort of still am.
But the people of the world are shining their light and it turned me around. This is 2017, not 1941, and maybe some of us remember history. The day that turned it over for me was January 27th, when the President signed another executive order, banning entrance to the US for anyone from seven specific countries. Almost immediately, lawyers were rushing to airports, actively looking for people in need, pro bono.
I lifted my head and realized that a lot of people were still just as loud about human rights today as they were last month, or in November, or last summer. People are on fire, and the fire is not going out!
There is organized opposition to the confirmation of various people selected to run our government, particularly Betsy DeVos for Education Secretary, and Scott Pruitt for Environment Secretary. Acting Attorney General Sally Yates declined to support Trump’s immigration ban. And was fired. When the administration enacted a gag order on the Environmental Protection Agency, halting all action on projects in progress, removing information from their website related to climate change and emissions, and banning all communication with outsiders, memos were leaked, and staff of the EPA began immediately sharing their stories on a personal level to make sure the information got out anyway. Local activists on the city level began using Tea Party tactics as a guide to mount a different resistance. These are just a few stories off the top of my head.
I don’t know the facts of all of these issues, so I can’t endorse the arguments of the opposition but I DO endorse the opposition itself. I am not in the let’s-give-him-a-chance camp. Not one bit. The buffoon has already made it clear that I, Crystal, have no value to him, and so my response is in kind. When my leader proudly announces that he refuses to lead me with honor to the best of his ability, then I owe nothing to that leader. Our job, as democratic citizens, is to watch his every move like hawks. And to come down hard when something is illegal or counter to American values that we are famous for: freedom from religious persecution, equality for all citizens, progress, and engagement. And when we can’t fight him directly like Sally Yates did, then we will have to settle for annoying him and jamming sticks into the spokes of his demagogic mechanisms.
I do have a little hope now. Maybe you do too. Please enjoy these photos from the march. It was *pouring* rain the whole entire time, and it was so cold. If it had been a little colder, it would have been snowing, and then we would not have all been soaked to the core. But despite the wretched weather, spirits did not seem dampened at all! There were thousands of women, and thousands of men, and people with no gender at all. There were people using wheelchairs. And people on prosthetic legs, and people who couldn’t see. And people who didn’t speak English. People who weren’t old enough to talk yet, and people so old they had seen this all before, a hundred times, and were responsible for some of the rights we hold today. People were holding BLACK LIVES MATTER signs, ACLU signs, and people holding signs in Hebrew and Russian and Arabic and Chinese, that I couldn’t read. One in Spanish I could read: Somos Uno (We Are All One!).
We are all one. You don’t have to believe it, but it’s true.
Half of them were wearing Pussy Hats, which I had never even heard of before that day. I could tell the hats looked like they had cat ears, and I got it right away, because my President was caught on camera joking about grabbing women’s pussies. When told it is offensive, his response shows that he thinks we’re overreacting. Basically implying that boys will be boys. So it turns out, zillions of people found the knitting instructions online, and made these caps in all colours, but mostly in pink, and men, women, babies, and police officers, and group organizers, and everyone was wearing them. Many people held signs that said, “Pussy Grabs Back!”
Two favourite signs of the day: Babies Against Bigots! It was pinned to the coat of an infant being carried in a backpack on her father’s chest. The other said “I know signs. I make the best signs. They’re terrific. Everyone agrees.”
What did women achieve that day? (And men. Do me a favour and skim all those photos and notice the men in every one) Oh gosh, I just don’t know. What was it all for? Were we only preaching to the choir? At least I spoke up, but it doesn’t seem enough. And I feel too small to do more. But my hopes are up again, and I still have my voice, and I’ll continue to use it.
Providence Park before the last Timbers home game. The Timbers Army is already on their feet and cheering, as the teams warm up.
I was invited to my very first Portland Timbers game last weekend. The Timbers are a soccer club in Major League Soccer. There is a waiting list for Timbers season tickets, and most of the individual tickets are already sold out for the year. Because of this, getting invited to the game was a pretty big deal.
However, that’s not the reason I was thrilled to have a chance to attend. We all know the game is called futbol to everyone else in the world, soccer to those of us in the U.S. I bring that comparison up intentionally, because here we do something else that is common around the rest of the world, but rare in the U.S.: Portland hosts some ferociously enthusiastic soccer fans. They call themselves the Timbers Army. I had been invited, not merely to the game but to join the Army, and it was an opportunity to experience ultimate soccer fandom. The Timbers Army is kinda famous. I read about them in Sports Illustrated in 2009. Yeah, a story about the fans.
So we go, and we sit in the north section of the stadium where the Army has taken over. Thirty minutes before the start of the game, the Army section is already packed, people cheering, flags waving, and the rest of the stadium has barely begun to fill up. You can see this in the photo at the top: a clear line of delineation between regular fans and the Army.
Let me take a tiny step back from the scene for a second. My degrees from Brandeis are in cultural anthropology. Even before that, at College of the Redwoods in northern California, I had studied cultural anthropology, and over the years gained experience in conducting ethnographies. This is when you, an outsider, try so hard to understand a community that you actually join them. You do what they do, in their environment, in an attempt to gain their perspective. While I stood there in the stands at Providence Park, surrounded by roaring and chanting and drumming fans, I was constantly thinking of ethnography. The group is rich with things to study.
First of all, the chants got my attention. Listen here as they yell “When I root I root for the Timbers!”
You’ll also notice both hands go in the air, in a sort of genuflection. However, the position of the hands can be a little tricky. As a friend explained to me at one point, “You have to make sure you’re holding your beer in your right hand during this one, because you don’t want to be doing the Nazi salute.”
When I root, I root for the Timbers!
When the opposing team came onto the field, everyone pulled out their keys and shook them. The message: Go Home!
Down in front of the stands are the capos, like cheerleaders, who get the crowd hyped up, on their feet, and howling in unison for over 90 minutes without ceasing. Everyone around me knew every song by heart. There are particular songs sung at key points in the game, according to action on the field or minutes on the clock. Fans sing songs and cheers borrowed from futbol around the world, and the ensuing roar is nearly overwhelming. They do not. stop. yelling. Not for the entire game, and for some time after it is over and the teams leave the field. Fans immediately call out players faking injuries, rolling around on the ground. They see error in every single call by an official against a Timbers player, and justification in every single call against the opposing team. They see unwarranted aggression whenever the other team gains an advantage. They scream with approval when their own team does the same. Put it all together and the energy is outrageously fun. And loud.
There are so many rituals that I couldn’t keep track of them all. Key to so much of it are the scarves, worn by nearly every single person in the stands (I was able to borrow Tara’s and thus had my uniform). The scarves say Timbers Army on one side and No Pity on the other, and are held into the air in unison to send the appropriate message. Some cheers require scarves to be flipped vertically, some call for spinning scarves, sometimes we only had to hold them up to display. The scarves also come in handy when a smoke bomb is released after a goal, and you need to cover your mouth and nose.
The tifo went up early in the game. On this night it was a call for domestic abuse awareness.
Flags and smoke in the air.
Another fun ritual after a goal is when Timber Joe saws a piece off a huge log. After cutting the slice, Timber Joe passes the wooden disc through the crowd so people can touch it. At the end of the game, players lift the discs while the crowd erupts.
Timber Joey cuts a slice each time the Timbers score.
Here, Joe hauls the wooden disc through the crowd so people can touch it.
They borrow a lot from European futbol fans, including the tifo, which is a big visual display of support from the people in the seats. It’s often done with cards, with flags, and as you see here, with an enormous banner. People have drums and trumpets (I was waiting for vuvuzelas, and surprised not to hear any). The flags are waving constantly, also seen in the photo. People brought in green and white paper streamers, and thousands of people gratefully took programs and brochures at the door, and began tearing them into pieces. I saw all around me hats upturned in laps, filled with torn paper, and pockets being jammed with paper, and it took a long time but YES, you guessed it: confetti filled the air at the first goal. In minutes, people swept up much of the paper in the stands and filled their hats again, awaiting the next goal.
Oh, yes, and there was a soccer game too. Portland is in red, against Salt Lake City in white.
Timbers lined up for defense of a penalty kick
Ball is in the air (a white smudge above the A in Alaska) and Timbers goalkeeper has his eye on it.
The game was tied in the end: an odd end for me, since I’m used to games that require a winner. The Timbers failed to make the most of an extraordinary advantage, when the Salt Lake City team was down one player (11 vs. 10) for much of the game, and down two players (11 vs. 9) for several minutes at the end. We only managed two goals (not counting the beautiful one at the beginning of the game, which didn’t count due to a penalty). It wasn’t for lack of trying, as the marquee pronounced 26 attempts in the second half of the game alone.
Twenty-six attempts vs. seven
One final ritual was when wives of the players brought their children out to them for the closing ceremonies.
Ned Grabavoy and his little ones.
Nat Borchers claps while holding his boy.
Ok, if your interest is piqued, you’ve got to see the following video from The Daily. It’s only 4 minutes and does a great job of showing the fanaticism I’m trying to describe. Well done.
black odyssey at Trinity Rep
January 17, 2019 in community involvement | Tags: audience, black odyssey, commentary, history, Homer, love, performance, play, politics, Providence, Rhode Island, the arts, The Odyssey, Trinity Rep, Trinity Repertory Company | 4 comments
Stage set for the opening scene of black odyssey, as the audience waits for the show to begin.
{All photo credits except the image above are by Mark Turek, courtesy Trinity Repertory Company.}
While I was in Providence, Will and I attended a show at Trinity Repertory Company, just a few blocks from where I stayed at the Biltmore hotel. Black odyssey plays from January 3 through February 3, and if you get a chance to go, you must do it! This is not Homer’s classical story of The Odyssey, but a political and historical piece that resonates when viewed against the backdrop of Homer’s work.
The audience finds out pretty soon that the gods are toying with the humans. Paw Sidin (Poseidon) sucking on a knight chess piece reminded me of the scene in that 1981 movie Clash of the Titans, when the gods loomed over tiny clay models of humans. In the movie, when the gods damaged the clay models, the actual people suffered. As Paw Sidin sucked on the knight, the human was drowning in the ocean.
Ulysses (Odysseus) was returning from duty in Afghanistan to his home in Oakland, with the weight of a murder on his soul. Paw Sidin was angry beause the man Ulysses killed in Afghanistan was his son. He knocked Ulysses into the water, vowing vengeance. Ulysses is barely kept alive by Aunt Tina (Athena) who begs her father Deus (Zeus) to spare him because he is her nephew. The play is the story of the gods battling in a game of chess over how to resolve this dispute.
The stage is painted as a chess board, so that you never forget that theme.
Costumes, shoes, and songs wowed us.
When Circe enraptured us with the pure pleasures of eating, the entire audience was salivating. And maybe not just for food. 😉
On the far right and left of the stage sit piles of old television sets that at first didn’t make much sense to me as a prop, and then became integral. The sets are different sizes, one tipped onto its side, and each displays a different scene, so the message isn’t always obvious. When Ulysses is drowning, for example, the scenes were all of rough ocean waters – that was pretty obvious. But at other times during the show, there are scenes from Oakland city, news broadcasts of historical events, or other evocative imagery including contemporary events like flooding during Hurricane Katrina and recognizable police camera footage, that help the audience put pieces together.
I’m one of those people that needs help in a story. I’m not very good at inferences from imagery in art, in acting, or in words. I’m oblivious to song lyrics. The screens brought it home for me.
I read The Odyssey a few years ago. A lot of you have read it, and you might remember that Odysseus was just trying to get home to his wife. The trials he had to endure crossed the line into ridiculousness and are only believable in the context of gods. He is captured by a Cyclops, the crew is turned into pigs, they are subjected to Sirens, Odysseus is trapped on an island and when he gets away his raft is destroyed. Come on!
Marcus Gardley wrote the play black odyssey based on The Odyssey to tell the story of a black man in America. In the play, Ulysses can’t find his way back to his wife and son for 16 years (turns out she was pregnant when he was shipped to the desert to fight). So many terrible things challenge them. The trials they all endure while he battles his demons and his wife raises their boy alone, cross the line into ridiculousness. Their story would only be believable if set in the context of, well, being a black family in America. Ouch.
Left to right: Omar Robinson as Paw Sidin, Julia Lema as Aunt Tina, and Jude Sandy as Deus.
Ulysses was lost at sea, so there are a lot of scenes with water, and rain.
Poverty, oppression, despair, manipulation, aggression and greed seep through the lives of these characters and try to destroy them. Ulysses is dragged and dropped by the gods Paw Sidin and Deus from one pivotal historic moment to another, teaching him that who he is has been shaped by his ancestors. There is a trail of pain and betrayal.
But there was so much love, too. It’s the emotion that seemed to catch my attention most often: love.
Ulysses would be lost many times, but for the power inside him. He and his family have reservoirs of love, and hope, and pride, and stubbornness that never let them give up. Against the careless whims of the gods, Ulysses somehow continues to survive. He learns to reach back in time to his ancestors and to use their love for him to fuel his efforts. The central message in the play is that we are a product of our ancestors, even when we don’t know anything about them, and that we should use our ancestors as a source of strength.
Another message is that our battles seem to be with outside forces, like gods playing chess, or the police, or the projects, but our theatre of war is actually within. Those battles need to be fought inside ourselves before the catastrophes on the outside can be resolved. Ulysses says, “We are who we have been waiting for.” That sentence was a jolt to me because I had already heard it in my own life, applied to me. At a Cherokee meeting two years ago, rapper Litefoot told us those exact words.
The show’s opening chorus was not a standalone musical event, but rather ushered us into a performance filled with song. I wasn’t expecting all the singing, or what a great vehicle it is in this case to help tell the story. There were some fun scenes as Tina Turner, Diana Ross, and James Brown performed. We heard African-American and Afro-Cuban spirituals and chants, lullabies, work songs and civil rights anthems. Many were known to the audience and the actors persistently asked us to join in singing and clapping.
Engaging with the actors helped to blur the wall between us, and I could not avoid yet another powerful impact of this performance, when I realized this story was about my path too. I couldn’t relate to Ulysses, but his journey – through all those ancestors – was beside me, and I saw my part in his story. I am not separate from him, and I need to know his story as well as mine.
Joe Wilson, Jr as Ulysses, and Julia Lema as Calypso.
Supa Fly Tiresias and his entourage.
The play is intense. I cried. In fact, the end of the first act was such a shock to me that in the first minutes of intermission I numbly put on my coat and stood to leave, thinking it was over. Will had to snap me out of it.
And the play is funny! It’s a delight of colour and texture and noise. It’s absolutely relatable. The costumes are out of this world. Will and I went crazy for the shoes. The SHOES! Ha ha ha. There’s a constant play on words for those of you who want a dozen little secret jokes. A couple of times the actors acknowledged someone in the audience who had become very engaged, and those moments made it more of an event than a show.
Every single actor is outstanding. They play multiple roles that overlap, such as the actor playing Paw Sidin also plays John Suitor, who tries to lure Nella Pell (Penelope) away from her dedication to her missing husband. The actress who plays Benevolence (Nausicaa) was such a convincing 10-year-old that I tried and tried, but could not figure out who was playing her until the end!
There is a happy ending. After the first, awful death, no other character dies. The gods leave Ulysses alone and are restored to good temper. For now.