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This is the final version of my painting before I gave it away.

You may recognize the image above. It’s similar to a photograph I took when I was in Myanmar in February:

Our first view of the Golden Rock from a distance.

I’ve been wanting to paint more, but hadn’t been making time for it. So I tricked myself into it. For me, overcoming challenges in life is often a matter of using the correct psychology on myself. Self-care and personal health don’t seem to motivate me enough. However! I am very good at keeping obligations to others. I signed up for a night class at the local community college, and now at a bare minimum, I paint once a week on Wednesday nights. My responsible brain goes to class because I respect the teacher’s time. A bonus is that I paint, which I love, and it fills my heart and makes me happy.

The instructor recommended we paint from a photo, and as a helpful suggestion, said that his students in the past painted scenes from their travels. I had been thinking of this one for a long time, but was avoiding it because it seemed too ambitious. When no other ideas came to mind, I started it.

This much I did at home, prior to classwork. One of the instructor’s first suggestions was to fill in all the white area. Paint the background a dark colour, and complete the sky. I should paint the tree and rock over the top of the sky, rather than inside the white areas.

So I did.

Each Wednesday night I painted at class. Usually I painted during the week also, because the painting was still on my mind.

I particularly love how the sky turned out. There was a lot of burning happening in the region, as local people cleared land and burned the brush piles. The sky was hazy from smoke and I think you can see that in the painting. It was sunrise as we arrived at the rock, and in the photo, the sun had only reached halfway down the rock. Everything else in the photo remains in the shadow of morning.

It was suggested that I paint the things farthest away first, then move to the foreground.

It’s hard for me to paint in class because the flourescent lights are terrible and 5-8 pm is my lowest productivity period of the day.

My artistic friend Lloyd saw my very first draft (with all the white parts) and was excited about the painting, and asked me to keep him updated. I sent him new pictures of my progress every time I painted, which was usually twice a week. He was ecstatic with enthusiasm each time, and that helped me stay motivated. It felt like we were doing the project together.

Almost done!! I added people, landscaping, and finally began plodding through the masses of foliage in the foreground.

I sent Lloyd this close up. Look! People!

Lloyd and Genevieve got married over the weekend, and I had a gift in mind that they would both love. There was really no question who was getting the painting when I finished it.

I grabbed a couple of quick photos before I headed to the wedding.

Comparing the painting to the photo here in this post, I see that I needed to add glints of sunlight to the rock. It is not bright enough where the morning sun touches it. I’ll have to bring some paint next time I visit my friends.

Nothing says "Spring" like newly opening flowers.

Nothing says “Spring” like newly opening flowers.

Tara and I visited Laurelhurst Park a couple weeks ago to take advantage of glorious February sunshine. The park was lovely, as always, though not as advanced into signs of Springtime as we had hoped. I took plenty of shots, in my typical fashion, and nothing grabbed my heart until…these.

Reaching up hopefully to a weak Spring sun.

Reaching up hopefully to a weak Spring sun.

A tiny package of delight, reaching out to me.

A tiny package of delight, reaching out to me.

The light behind these buds and flowers is inspiring!

Has that ever happened to you? You are walking along, looking around, taking all things in as more or less equal contributors into your environment, and then BLAM! An incredible snapshot is framed ahead of you. Terrible when you see it without a camera nearby. But what a treasure when the Nikon is slung around your neck at that moment. Carefully pull the strap over your head without breaking eye contact with that amazing view, switching it on as part of the fluid swish of motion,┬ásince – for heaven’s sakes the “on switch” is programmed into subconscious memory by now.

And the greatest treasure of all: when the photos look as wonderful on your laptop as they did in the tiny viewfinder.

I couldn't get enough of the fuzzy flower buds. Tara was getting chilly, hopping from one foot to the other, while I was not aware of temperature at all.

I couldn’t get enough of the fuzzy flower buds. Tara was getting chilly, hopping from one foot to the other, while I was not aware of temperature at all.

Obviously, all the light and dark made me think of black and white.

Obviously, all the light and dark made me think of black and white.

One of my many guises

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